Alice Channer, a comprehensive monographic catalogue (English/German) to accompany Heavy Metals / Silk Cut (solo) at Kunstmuseum and Kunsthalle Appenzell, with essays by Rosanna McLaughlin and Zoë Gray, an experimental text by Daisy Hildyard and a conversation between Stefanie Gschwend and Alice Channer, Designed by Mathias Clottu, Published by DISTANZ, Release: September 2023

Drawing Biennial 2024 (Group), Drawing Room, London, UK, 3rd May - 3rd July 2024

Guest Selector for Mark Tanner Sculpture Award 2024 - 25

Cold Metal Bodies (2023), acquired by Mercedes Benz Art Collection, DE

Heavy Metals / Silk Cut (Solo), Kunstmuseum and Kunsthalle Appenzell, Appenzell, CH, 2nd July - 8th October 2023

Coventry Biennial 2023: ... like a shortcut through the brambles (Group), Coventry and Warwickshire, UK, 6th October 2023 - 14th January 2024

Phantoms and Other Illusions (Group), curated by Ludwig Seyfarth, KAI10 | Arthena Foundation, Düsseldorf, DE, 10th February - 3rd September 2023

A.I. (2018), Membrane (2016) and Ultra Slims (2013), acquired by Hamburger Kunsthalle, DE

Landslide (2014) acquired by Frac des Pays De La Loire, FR

Trickster Figures: Sculpture and the Body (Group), curated by Jes Fernie, Milton Keynes Gallery, Milton Keynes, UK, 4th February - 7th May 2023

Sculpture In The City (Group), City Of London, UK, 15th June 2021 - May 2023

Breaking the Mould, Sculpture by Women since 1945 (Group), An Arts Council Collection Touring Exhibition, opening at Longside Gallery, Yorkshire Sculpture Park, Wakefield, UK, 29th May 2021 - 16th April 2023, touring to Djanogly Gallery, University of Nottingham; The Levinsky Gallery, University of Plymouth, and The Box, Plymouth; Ferens Art Gallery, Hull; New Art Gallery Walsall, all UK

Breathing (Group), curated by Dr. Brigitte Kölle and Dr. Sandra Pisot, Hamburger Kunsthalle, Hamburg, DE, 30th September 2022 - 12th February 2023

Sand In The Vaseline: On 21st Century Process Art, guest edited feature 'On Process' in Sculpture Journal, published by Liverpool University Press, featuring contributions from Alisa Baremboym, Nicolas Deshayes, K.R.M. Mooney, Tania Pérez Córdova and Alison Wilding, Volume 31.2, June 2022

Lethality and Vulnerability commissioned by Artangel, Orford Ness, Suffolk, UK, 15th April - 30th October 2022

C-anal issue 3, edited by Madeleine Stack and Fer Boyd

Nanowires (Solo), a permanent public sculpture for the new Engineering Department building at the University of the West of England, UK, curated by Theresa Bergne/Field Art Projects

Reality is there anyway (Group), curated by Thomas Rieger and Janine Blöß, Weltkunstzimmer, Düsseldorf, DE, 18th August 2022 - 18th September 2022

Climate: RA Summer Show 2022 (Group), invited by exhibition co-ordinator Alison Wilding, Royal Academy of Arts, London, UK, 21st June - 21st August 2022

Cloudpoint (Group), curated by Nicolas Bourriaud, Paradise Row, London, UK, 10th June - 23rd July 2022

High Desert Test Sites 2022: The Searchers (Group), curated by Iwona Blazwick, Joshua Tree, CA, USA, 16th April - 29th May 2022

Soft Sediment Deformation (Iron Bodies), (left), 2023 and Planetary System (Kolzer DGK63") (right), 2019, shown installed as part of Trickster Figures: Sculpture and the Body (Group), Milton Keynes Gallery, UK, 4th February - 7th May 2023

Iris (Group), curated by Edward Ball, Large Glass, London, UK, 11th March - 30th April 2022

Look! Revelations on Art and Fashion (Group), Marta Herford, Marta, DE, 4th September 2021 - March 6th 2022

Worms (Solo), Quartz Studio, Torino, IT, 3rd November 2021 - 7th January 2022

Afterness (Group), a series of major new commissions by Artangel at Orford Ness, UK, 1st July - October 2021

Weaponized Glamour two person exhibition with Madeleine Pledge, CASE STUDY Project Space, London, 23rd October - 7th November 2021

Transitive Objects (Coral What) (Group), curated by Melissa Gordon, Cosar HMT, Düsseldorf, DE, 3rd September 2021 - 16th October 2021

Megaflora (Solo), Large Glass, London, UK, 22nd April - 26th June 2021

Liverpool Biennial 2021: The Stomach and The Port (Group), curated by Manuela Moscoso, Liverpool, UK, 19th May - 27th June 2021

First Birth by Shell Like, a new audio work made alongside Alice Channer's sculptures in the Lewis's building, part of Liverpool Biennial 2021: The Stomach & the Port

Burial, 2016, Sand-Cast Corten Steel, Dimensions slightly variable (each rock 80 x 107 x 237 cm), shown installed at St Botolph-without-Bishopsgate Churchyard, City Of London, UK, as part of Sculpture In The City (Group), 15th June 2021 - May 2022

Lines (Group), Konrad Fischer Galerie, Düsseldorf, DE, 4th September - 6th November 2020

Into The Labyrinth (Group), curated by Charlotte Schepke, Dalby Forest, Low Dalby, Thornton-Le-Dale, Pickering, UK, 25th March 2020 - 10th May 2020

60 Years (Group), Tate Britain, London, UK, April 2019 - 17th May 2020

OUR FUMING LIPS MAKE A NEW MIRAGE (Group),, Friday 17th April 2020 7-8pm GMT and Saturday 18th April 2020 10-11am GMT

The Technological Hand (Group), Konrad Fischer Galerie, Berlin, DE, 29th November 2019 - 28th March 2020

Psychotropics (Group), curated by Iwona Blazwick, The New Art Centre, Salisbury, UK, 25th January 2020 - 22nd March 2020

Breathless. London Art Now (Group), a British Council exhibition curated by Norman Rosenthal and Harry Woodlock, Ca'Pesaro, Venice, IT, 19th Oct 2019 - April 2020

Birthing Pool (Solo), Turf Projects, London, UK, 25th July - 31st August 2019

Pairings: Sculpture in the Nasher and Rachofsky Collections (Group), Nasher Sculpture Centre, Dallas, USA, 11th May - 18th August 2019

The Weather Garden: Anne Hardy curates the Arts Council Collection (Group), Towner Art Gallery, Eastbourne, UK, 16th Feb - 2nd June 2019

Fault Lines (Group), curated by Edward Ball, Freelands Foundation, London, UK, 14th March - 14th April 2019

In The Labyrinth (Group), Large Glass, London, UK, 7th Feb - 5th April 2019

Man-made (Solo), Konrad Fischer Galerie, Düsseldorf, DE, 18th January - 9th March 2019

Skinned and Detouched, A pair of artists books by Alice Channer with text by Fer Boyd, Published by Eastside Projects and Motto Books, Distributed by Motto Distribution

Birthing Pool, 2019, Accordion Pleated Hi-Tech Lamé; Accordion Pleated Polyester Satin; Accordion Pleated Women Ladies Animal Leopard Snake PU PVC Wet Look Shiny Legging Fashion Pant New; Accordion Pleated Sexy Ladies High Waist Wet Look Skinny Leather Leggings Pants Trousers Black; Mirror Polished Stainless Steel; Pelletized and Recycled Polypropylene, Dimensions slightly variable

Der Flexible Plan, Das Rokoko in der Gegenwartskunst (Group), Museum Morsbroich, DE, 23rd September 2018 - 6th January 2019

This is the Gallery and the Gallery is Many Things X (Group), Eastside Projects, Birmingham, UK, 5th October - 22nd December 2018

The Axial Line (Group), PS120, Berlin, DE, Opening November 14th 2018

The Shape Left By The Body (Group), The Sunday Painter, London UK, 5th July - 4th August 2018

Crash Test (Group), curated by Nicolas Bourriaud, La Panacée, Montpellier, FR, 10th February – 6th May 2018

A Coin In Nine Hands - Part 5 - Alice Channer: Carapaces (Solo), Large Glass, London, UK, 22nd March - 27th April 2018

Actions: 'The Image Of The World Can Be Different' (Group), Kettles Yard, Cambridge, UK, 10th February – 2nd April 2018

Shifting Landscapes (Group), Nottingham Castle Museum, UK, 23rd September 2017 – 31st March 2018

ISelf Collection: The Upset Bucket (Group), Whitechapel Gallery, London, UK, 5th December 2017 – 1st April 2018

In A Dream You Saw A Way To Survive And You Were Full Of Joy (Group), a Hayward Gallery Touring show curated by Elizabeth Price; The Whitworth Manchester, 10th June to 30th October 2016; De La Warr Pavilion, Bexhill-on-Sea, 28th January to 30th April 2017; Glynn Vivian Art Gallery, Swansea, 13th May to 28th August 2017, all UK

Crustacean Satellites, 2018, Vacuum Metallised Spider Crab (Maja Brachydactyla) and Brown Crab (Cancer Pagurus) Shells on Stainless Steel Jigs; PVC Coated Steel Cables; Fixings, 450 cm (h/variable) x 105 cm (W) x 110 cm (D)

Burial, 2016, Cast Aluminium Bronze; Cast Concrete; Cast Corten Steel; Pelletized and Recycled HDPE, Dimensions slightly variable

© Alice Channer