60 Years (Group), Tate Britain, London, UK, Opens 22nd April 2019

The Weather Garden: Anne Hardy curates the Arts Council Collection (Group), Towner Art Gallery, Eastbourne, UK, 16th Feb - 2nd June 2019

Pairings: Sculpture in the Nasher and Rachofsky Collections (Group), Nasher Sculpture Centre, Dallas, USA, 11th May - 18th August 2019

Skinned and Detouched, A pair of artists books by Alice Channer with text by Jennifer Boyd, Published by Eastside Projects and Motto Books, Distributed by Motto Distribution

Birthing Pool (Solo), Turf Projects, London, UK, 25th July - 31st August 2019

London Bridge. Arte Contemporanea in Gran Bretagna (Group), a British Council exhibition curated by Norman Rosenthal and Harry Woodlock, Ca'Pesaro, Venice, IT, 19th Oct 2019 - 1st March 2020

Guests of the Hotel Palenque (Group), curated by Iwona Blazwick, High Desert Test Sites 2020, Joshua Tree, CA, USA, 18th April - 9th May 2020

Man-made (Solo), Konrad Fischer Galerie, Düsseldorf, DE, 18th January - 9th March 2019

Fault Lines (Group), curated by Edward Ball, Freelands Foundation, London, UK, 14th March - 14th April 2019

In The Labyrinth (Group), Large Glass, London, UK, 7th Feb - 5th April 2019

Der Flexible Plan, Das Rokoko in der Gegenwartskunst (Group), Museum Morsbroich, DE, 23rd September 2018 - 6th January 2019

This is the Gallery and the Gallery is Many Things X (Group), Eastside Projects, Birmingham, UK, 5th October - 22nd December 2018

The Axial Line (Group), PS120, Berlin, DE, Opening November 14th 2018

The Shape Left By The Body (Group), The Sunday Painter, London UK, 5th July - 4th August 2018

Crash Test (Group), curated by Nicolas Bourriaud, La Panacée, Montpellier, FR, 10th February – 6th May 2018

A Coin In Nine Hands - Part 5 - Alice Channer: Carapaces (Solo), Large Glass, London, UK, 22nd March - 27th April 2018

Crustacean Satellites, 2018, Vacuum Metallised Spider Crab (Maja Brachydactyla) and Brown Crab (Cancer Pagurus) Shells on Stainless Steel Jigs; PVC Coated Steel Cables; Fixings, 450(h/variable) x 105 x 110cm; installation view at Eastside Projects, Birmingham, UK, November 2018

Linear Bivalves, 2018, and Hot Springs, 2014, installation view as part of Crash Test, curated by Nicolas Bourriaud, La Panacée, Montpellier, FR, 10th February - 6th May 2018

Linear Bivalves, detail, 2017, Vacuum Metallized and Lacquered Mussel Shells on Custom Jigs, 55 x 255 x 7cm (6 parts), installation view as part of Portrait (for a Screenplay) of Beth Harmon, a project by Tamsin Clark and Sean Edwards, Tenderpixel, London, UK, 2017

Actions: 'The Image Of The World Can Be Different' (Group), Kettles Yard, Cambridge, UK, 10th February – 2nd April 2018

Shifting Landscapes (Group), Nottingham Castle Museum, UK, 23rd September 2017 – 31st March 2018

ISelf Collection: The Upset Bucket (Group), Whitechapel Gallery, London, UK, 5th December 2017 – 1st April 2018

In A Dream You Saw A Way To Survive And You Were Full Of Joy (Group), a Hayward Gallery Touring show curated by Elizabeth Price; The Whitworth Manchester, 10th June to 30th October 2016; De La Warr Pavilion, Bexhill-on-Sea, 28th January to 30th April 2017; Glynn Vivian Art Gallery, Swansea, 13th May to 28th August 2017, all UK

Gravity and Grace (Group), Aspen Art Museum, USA, 10th March – 28th May 2017

Drawing Biennial 2017 (Group), The Drawing Room, London, UK, 2nd March - 26th April 2017

Portrait (for a Screenplay) of Beth Harmon (Group), a project by Tamsin Clark and Sean Edwards, Tenderpixel, London, UK, 4th May - 3rd June 2017

Rest In The Furrows Of My Skin (Group), Kunsthaus Hamburg, DE, 7th June – 20th August 2017

Mechanoreceptor, Icicles, detail, 2016, Cast and Fluid Thermoplastic-Dipped Aluminium; Titanium; Electropolished Stainless Steel; Steel Cables, 580 x 74.3 x 500cm, installation view at Eastside Projects, Birmingham, UK

Mechanoreceptor, Tendrils, detail, 2016, Cast and Chromed Aluminium; Copper Wire; Plastic-Dipped hook; Bramble, 114 x 34.5 x 10.5cm, installation view at Eastside Projects, Birmingham, UK

Interview with Rosanna McLaughlin, Studio International, August, 2016

Twilight of the Anthropocene Idols, by Claire Colebrook in After Us, Issue 2, illustrated with details of Burial

Organics acquired by Guggenheim Museum Permanent Collection

Wer Nicht Denken Will, Fliegt Rau (Group), Museum Kurhaus Kleve, Kleve, DE, 1st July - 18th September 2016 (curated by Henri Dietz)

Burial, detail, 2016, Cast Aluminium Bronze; Cast Concrete; Cast Corten Steel; Pelletized HDPE, Dimensions variable, installation view as part of Wer Nicht Denken Will, Fliegt Rau at Museum Kurhaus Kleve, DE, 1st July - 6th May 2016

Early Man (Solo), Konrad Fischer Galerie, Berlin, DE, 28th April - 18th June 2016

Alice Channer, Lucy Kim, Anne-Mie Van Kerckhoven, Ingrid Wiener (Group), Lisa Cooley, New York, US, 22nd May - 19th June 2016

The Cable Guys 2 (Group), Future Gallery, Berlin, DE, 28th April - 13th June 2016

New Skin (Group), Aishti Foundation, Beirut, LB, 25th Oct 2015 - 2017 (curated by Massimiliano Gioni)

BBC Radio 3 Free Thinking Contemporary Art Debate at Nottingham Contemporary, with Elizabeth Price, Sam Thorne and Ann Gallagher, chaired by Anne McElvoy, 16 June 2016

Bodies in Space by Karen Archey, in Mass Effect, Art and the Internet in the Twenty-First Century, Edited by Lauren Cornell and Ed Halter, Published by MIT Press and the New Museum, October 2015

R o c k f a l l as part of Image Objects (Group), Public Art Fund at City Hall Park, New York, USA, 30th June - 20th November, 2015 (curated by Andria Hickey)

Don't Shoot The Painter (Group), Galleria d'Arte Moderna Milano, IT, 17th June - 4th October, 2015 (curated by Francesco Bonami)

Half-life (Solo), Lisa Cooley, New York, USA, 10th May – 21st June 2015

R o c k f a l l (Solo), Aspen Art Museum, USA, 13th February – 31st May 2015