CURRENT:
Nanowires (Solo), a permanent public sculpture for the new Engineering Department building at the University of the West of England, UK, curated by Theresa Bergne/Field Art Projects
Worms (Solo), Quartz Studio, Torino, IT, 3rd November 2021 - 7th January 2022
Sculpture In The City (Group), City Of London, UK, 15th June 2021 - May 2022
Look! Revelations on Art and Fashion (Group), Marta Herford, Marta, DE, 4th September 2021 - March 6th 2022
Breaking the Mould, Sculpture by Women since 1945 (Group), An Arts Council Collection Touring Exhibition, Longside Gallery, Yorkshire Sculpture Park, Wakefield, UK, 29th May 2021 - 12th March 2023, then touring to Djanogly Gallery, University of Nottingham; The Levinsky Gallery, University of Plymouth, and The Box, Plymouth; Ferens Art Gallery, Hull; New Art Gallery Walsall, all UK
Landslide (2014) acquired by Frac des Pays De La Loire, FR
FORTHCOMING:
High Desert Test Sites 2022: The Searchers (Group), curated by Iwona Blazwick, Joshua Tree, CA, USA, 16th April - 29th May 2022
Climate: RA Summer Show 2022 (Group), invited by exhibition co-ordinator Alison Wilding, Royal Academy of Arts, London, UK, 21st June - 21st August 2022
Sand In The Vaseline: On 21st Century Process Art, guest edited feature 'On Process' in Sculpture Journal, published by Liverpool University Press, featuring contributions from Alisa Baremboym, Nicolas Deshayes, K.R.M. Mooney, Tania Pérez Córdova and Alison Wilding, Volume 31.2, June 2022
Breathing (Group), curated by Dr. Brigitte Kölle and Dr. Sandra Pisot, Hamburger Kunsthalle, Hamburg, DE, 30th September 2022 - 15th January 2023
RECENT:
Afterness (Group), a series of major new commissions by Artangel at Orford Ness, UK, 1st July - October 2021
Weaponized Glamour two person exhibition with Madeleine Pledge, CASE STUDY Project Space, London, 23rd October - 7th November 2021
Transitive Objects (Coral What) (Group), curated by Melissa Gordon, Cosar HMT, Düsseldorf, DE, 3rd September 2021 - 16th October 2021
Megaflora (Solo), Large Glass, London, UK, 22nd April - 26th June 2021
Liverpool Biennial 2021: The Stomach and The Port (Group), curated by Manuela Moscoso, Liverpool, UK, 19th May - 27th June 2021
Burial, 2016, Sand-Cast Corten Steel, Dimensions slightly variable (each rock 80 x 107 x 237 cm), shown installed at St Botolph-without-Bishopsgate Churchyard, City Of London, UK, as part of Sculpture In The City (Group), 15th June 2021 - May 2022
Lines (Group), Konrad Fischer Galerie, Düsseldorf, DE, 4th September - 6th November 2020
Into The Labyrinth (Group), curated by Charlotte Schepke, Dalby Forest, Low Dalby, Thornton-Le-Dale, Pickering, UK, 25th March 2020 - 10th May 2020
60 Years (Group), Tate Britain, London, UK, April 2019 - 17th May 2020
OUR FUMING LIPS MAKE A NEW MIRAGE (Group), www.shell-like.com, Friday 17th April 2020 7-8pm GMT and Saturday 18th April 2020 10-11am GMT
The Technological Hand (Group), Konrad Fischer Galerie, Berlin, DE, 29th November 2019 - 28th March 2020
Psychotropics (Group), curated by Iwona Blazwick, The New Art Centre, Salisbury, UK, 25th January 2020 - 22nd March 2020
Breathless. London Art Now (Group), a British Council exhibition curated by Norman Rosenthal and Harry Woodlock, Ca'Pesaro, Venice, IT, 19th Oct 2019 - April 2020
Birthing Pool (Solo), Turf Projects, London, UK, 25th July - 31st August 2019
Pairings: Sculpture in the Nasher and Rachofsky Collections (Group), Nasher Sculpture Centre, Dallas, USA, 11th May - 18th August 2019
The Weather Garden: Anne Hardy curates the Arts Council Collection (Group), Towner Art Gallery, Eastbourne, UK, 16th Feb - 2nd June 2019
Fault Lines (Group), curated by Edward Ball, Freelands Foundation, London, UK, 14th March - 14th April 2019
In The Labyrinth (Group), Large Glass, London, UK, 7th Feb - 5th April 2019
Man-made (Solo), Konrad Fischer Galerie, Düsseldorf, DE, 18th January - 9th March 2019
Skinned and Detouched, A pair of artists books by Alice Channer with text by Fer Boyd, Published by Eastside Projects and Motto Books, Distributed by Motto Distribution
Birthing Pool, 2019, Accordion Pleated Hi-Tech Lamé; Accordion Pleated Polyester Satin; Accordion Pleated Women Ladies Animal Leopard Snake PU PVC Wet Look Shiny Legging Fashion Pant New; Accordion Pleated Sexy Ladies High Waist Wet Look Skinny Leather Leggings Pants Trousers Black; Mirror Polished Stainless Steel; Pelletized and Recycled Polypropylene, Dimensions slightly variable
Der Flexible Plan, Das Rokoko in der Gegenwartskunst (Group), Museum Morsbroich, DE, 23rd September 2018 - 6th January 2019
This is the Gallery and the Gallery is Many Things X (Group), Eastside Projects, Birmingham, UK, 5th October - 22nd December 2018
The Axial Line (Group), PS120, Berlin, DE, Opening November 14th 2018
The Shape Left By The Body (Group), The Sunday Painter, London UK, 5th July - 4th August 2018
Crash Test (Group), curated by Nicolas Bourriaud, La Panacée, Montpellier, FR, 10th February – 6th May 2018
A Coin In Nine Hands - Part 5 - Alice Channer: Carapaces (Solo), Large Glass, London, UK, 22nd March - 27th April 2018
Actions: 'The Image Of The World Can Be Different' (Group), Kettles Yard, Cambridge, UK, 10th February – 2nd April 2018
Shifting Landscapes (Group), Nottingham Castle Museum, UK, 23rd September 2017 – 31st March 2018
ISelf Collection: The Upset Bucket (Group), Whitechapel Gallery, London, UK, 5th December 2017 – 1st April 2018
In A Dream You Saw A Way To Survive And You Were Full Of Joy (Group), a Hayward Gallery Touring show curated by Elizabeth Price; The Whitworth Manchester, 10th June to 30th October 2016; De La Warr Pavilion, Bexhill-on-Sea, 28th January to 30th April 2017; Glynn Vivian Art Gallery, Swansea, 13th May to 28th August 2017, all UK
Crustacean Satellites, 2018, Vacuum Metallised Spider Crab (Maja Brachydactyla) and Brown Crab (Cancer Pagurus) Shells on Stainless Steel Jigs; PVC Coated Steel Cables; Fixings, 450 cm (h/variable) x 105 cm (W) x 110 cm (D)
Burial, 2016, Cast Aluminium Bronze; Cast Concrete; Cast Corten Steel; Pelletized and Recycled HDPE, Dimensions slightly variable
© Alice Channer